not really interested in any take on What Happened to Music Criticism that doesn’t take into account the labor conditions of the interlocking music and journalism industries
not really interested in any take on What Happened to Music Criticism that doesn’t take into account the labor conditions of the interlocking music and journalism industries
i chuckled when i got to the part about the people who wrote about music for a living in the late twenty-tens agreeing. what, all five of them?
it’s funny also because i was one of those people and i dissented a lot!
(tho i was covering non-mainstream stuff for the most part so i suppose i wasn’t part of the conversation they’re talking about)
unless i missed the post malone reviews on bandcamp daily, they were definitely talking about a different set of writers. i forgot about bandcamp once being a place where a writer could make a living, i don’t think i’ve even glanced at the daily since the union busting.
Would 100% read a good long article on this...