Normally I'd agree with you, but in this case I think it's the sunlight shining on the fox and pebbles. Someone posted another pic where you can see it's sunlight.
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Another example of the use of greater-than-life color saturation (more subtle that the parent post) is the photography of Galen Rowell (who I had the good fortune to know). His fantastic 'Mountain Light' photography featured highly saturated film and heavy burning/dodging in (analog) print-making.
dec 14, 2024, 6:27 pm • 2 0 • view
As a biologist involved in photography for many moons, this is obviously artificial coloration. Back in the film days, there was a debate over Kodachrome 64 vs. Velvia 50. Magazine publishers wanted the eye-popping color of Velvia, whereas my mentors stuck with Kodak for fidelity to actual colors.
dec 14, 2024, 6:19 pm • 11 0 • view
Film photography is still around, btw, but the choice of emulsions is pretty different today. And they're expensive 😅
dec 14, 2024, 6:29 pm • 2 0 • view
Anyone want to make an offer on an excellent condition Nikon F4S? I haven't used it in decades, but I'm glad some people are keeping the art of analog alive.
dec 14, 2024, 6:33 pm • 3 1 • view
For reference: www.kenrockwell.com/nikon/f4.htm
dec 14, 2024, 6:37 pm • 1 0 • view
Briefly top of the AF pile, before Cannon ate Nikon's lunch. I bought the F4S and a couple of prime lenses around 1990 from my aforementioned mentor, who switched a mortgage-level investment in Nikon gear for Cannon.
dec 14, 2024, 6:41 pm • 1 0 • view