I love this movie! I have had a terrible time tracking it down.
I love this movie! I have had a terrible time tracking it down.
Beautiful Gail Russell! My intro to C O Skinner was “Our Hearts Were Young and Gay” (total giggle fest) so it was a 🤯🤯 to see her being so….eeeevil…
OK, it's not really a horror movie, but I'm going to tout The Time of Their Lives, Abbott and Costello's 1946 ghost comedy, because it's a lot of fun and Gale Sondergaard presides over a seance. So it counts. Sort of.
Well it scared me when I was a novice TV user
Doctor X (1932) Early Technicolor, Lionel Atwill, Fay Wray (screaming, of course), lots of implied and explicit perversion, some cannibalism, and one of those great cliffside Long Island mansions. A little Lee Tracy goes a very long way, though.
This is an excellent list.
Not to be confused with The Mystery of the Wax Museum, which is not in fact "Better Than Dr. X," but it's very good. More Lionel, more Fay, more Technicolor, plus you get the invaluable Glenda Farrell.
This movie made me wish that Glenda Farrell got to make a series of The Night Stalker-esque movies investigating the paranormal. At least we got the Torchy Blane films.
Mark of the Vampire (1935) is almost brazenly incompetent and makes absolutely no sense, but it looks amazing (cinematography by the great James Wong Howe) and has one wonderfully breathtaking special effect, which I won't spoil for you. (And Bela. ❤️)
This one is a fascinating could-have-been, knowing the little bit that Skal wrote about it.
That was exactly as advertised. Excellent.
All roads lead eventually to Freaks, so here we are.
The Mummy (1932), directed by Karl Freund, with a great early Karloff performance and Zita Johann (probably most famous for starring on Broadway in Machinal, I'm thinking). Very elegant.
I saw a restored version in the theater a couple of years ago (Fathom Events) and it was so good, I mean whatever they did to the soundtrack especially was amazing.
That poster, holy mackerel
Karl Freund's other great horror film is Mad Love, with Peter Lorre. As reattached-hands films go, this one's probably the best. Plus Lorre in that astounding getup you've seen in all the stills, and yes you'll see a couple of Citizen Kane pre-echoes, courtesy of cinematographer Gregg Toland.
OK, taking a break. I'll be back with *checks notes* another 127 recommendations, none of which will star Lon Chaney Jr.
Well, as apparently I'm going to be doing this for the rest of my life, I can pace myself and just offer a few at a time. I always wanted to see the part-talkie The Last Warning (1928, directed by Paul Leni) because of this still, which alas the film doesn't live up to, but it's fun.
The Corpse Vanishes is a cheap Monogram film, if that's not redundant, and the heroine is preternaturally irritating, but there's also the great Elizabeth Russell and Minerva Urecal (whom you'll recognize from 7 Faces of Dr. Lao) as... ...Fagah. And Bela. ❤️
You should have put a cap on the likes.
I've loved this film since I saw it on Saturdays as a child.
Is this the one “‘bout a ghost from a wishing well?” (Thank you, Gordon Lightfoot).
I'm a sucker for Abbot & Costello movies.
The perfume!
One of my all-time faves. Also has a good “Well played, sir!”