That has always been the battle on my end. "How much should I open the brain door in order to let just the right amount of ideas out without being overwhelmed?" I've hit the happy middle ground with shorts clipped from the streams for the time being, which helps satisfy the brain gremlins. 1/3
The extreme end of all that though, as with all things, is Voldo, and as fun as that was going weird with it, it was a lot of work! I do want to do longform things again, but pace them out. Either I fix the recording issues with the Experimental LP (High Pressure Project)... 2/3
...or work on a Mini-Invitational League of people playing the upcoming new Lumines Game against each other (More Relaxed). Whatever is fun and with the least risk of Burnout (The concept not the game), really. The scales are fickle things to balance. 3/3
Yeah I’ve asked for like, guidance on what the others want in there but it’s me doing it at the end of the day. Look at this. For why?
See, on the assumption I know what that's for, I feel that's a small funny sight gag for a recurring segment. It's got "Nsburg Tourism Board" energy. For reference, this podcast contains said bit where their town has a new tourism slogan every week youtu.be/wpDlx9p2Dg0?...
From my outside lens, I'd say it's a case of defining the hard lines of what needs the bits. Segment transitions, recurring features, etc. Then, a bar for what could be an exceptional bit that could do with a highlight should be discussed.. and someone makes a note of the time for a potential 'shop.
(It's what I've requested from my streaming lot for clips. It's not enough to tell me there was a funny bit, I want to know approximately *where* it happened, because nothing puts me off editing more than having to spend the first 3/4 of the project skimming 3 hours for a 30 second bit.)