"Nobody makes rock music anymore" because we have all agreed for some reason that when women make rock music it is pop music. We've already moved on to Nobody Makes Pop Music Anymore, keep up!
"Nobody makes rock music anymore" because we have all agreed for some reason that when women make rock music it is pop music. We've already moved on to Nobody Makes Pop Music Anymore, keep up!
*stares in Lzzy Hale*
I really do lose patience for these sorts of arguments when, like, the entire world has irrevocably changed in ways that are enormous -- and probably good for humanity! -- and we're just pretending like this little scrap of archipelago is everything
All of your kids have memorized every song to KPOP DEMON HUNTERS and that is on the *conservative* side of the pop landscape, you are probably further behind than your grandparents were when rock music happened
(not politically conservative, obvs, just, like....normie)
Aaanyway, if you're reading this far, I am writing about this a lot now! www.otherdavemoore.com/p/the-rise-o...
Funny you should say this I was feeling all relevant because I recognized what the ppl at the coffee shop were talking about due to my kid’s obsession w K-pop demon hunters. Didn’t help we just went on a long car trip where that soundtrack was in heavier rotation than I, personally, would’ve chosen.
Was surprised when my kid (who is 8 and loves KPDH) knew and loved this one www.youtube.com/watch?v=Kgay...
Plus, there's still plenty of active rock bands. It has just evolved a bit, with some pop influences, and more experimentation.
I'm sure that previous genres have had a similar phase of shifting themselves as new styles emerged, then not so much dying as becoming consciously Heritage Music with even its younger performers being self-aware keepers of past legacies including/especially as newer styles absorb them
yeah, I actually think this is kind of where what most people currently think of as "pop" is right now (that is, "a-pop"), which if my track record is any indication is an argument that will finally go semi-viral 10-15 years from now
I can’t think of the last new sub genre of rock music… can anyone fill me in on a few new ones over last 10 years? I stopped listening to new “rock” after the indie wave of early 2000’s
Windowpane, baby www.otherdavemoore.com/p/the-rise-o...
Women or men, you hear a fair amount of rock on top 40 radio these days, just the very fact that it’s popular disqualifies it from being rock to a good % of millennials and Xers I think
and of course guitar albums from other countries not the U.S. don't count
Yeah honestly the most popular guitar music I listen to from the 2020s is European and Australian. Viagra Boys, IDLES, the Chats, Amyl and the Sniffers. There's just no rock songs in the US top 40s anymore.
yeah, that observation is a bit of a trojan horse for me these days to say "aha don't you see" about getting people to read my a-pop stuff lol
And its not even true on its face! Several times this year ive been in a sold out multi thousand cap venue where 20-somethings are playing rock music for other 20-somethings and teenagers. Some peoples' perception of culture is as shallow as the little condensation tray on my air conditioner
Check out The Warning
Stick with the music you like and avoid the music you don't like it's that simple
When I think about women in rock music I immediately think of Blondie
The Warning Plush As December Falls Spiritbox Make Then Suffer Here are some bands off the top of my pointy head that kick ass and have a female singer or is an all female band. There are a shit ton of bands out there that rock. Hard.
A lot of this "where's all the rock music" discourse feels downstream from what's left of the monoculture being broken down into thousands of smaller slices and that change making older music fans feel irrelevant
Olivia Rodrigo is a rockstar, but because she’s a cute girl she gets the pop star label
What they probably mean is we’re not making Active Rock, a radio category, I think, besides like a few bands that never stopped doing that.
One reason radio rock has been moribund for so long is because when women started making almost all of the good rock music, it just became "pop," reducing what would be played in the airplay category.
Women could get to #1 on alt rock airplay around the Alanis Morissette boom (includes Hole and Garbage, and maybe Cranberries before that), and then again after Lorde breaks through in 2013. Both of these booms get integrated completely into the pop charts a few years later.
Women were at least well represented as legitimate Rock at the height of things, but if you look now, that stuff isn’t given the same canonization. Heart, Hole, Pixies, Veruca Salt, Sleater-Kinney, etc., etc. were as interesting as everything else. Riot grrrl scene was big here (in Seattle).
What I think is interesting is that there are times where this DOES tip over into legitimate radio channels, but these moments have historically been short-lived and the ensuing reaction has sort of razed the landscape: once in the 2000s (for the whole decade!) and again now
I think what Rockists look for is a band. They think of Alanis and Taylor Hawkins and that’s built into a legacy they understand. When they think of Lorde etc. it doesn’t match what they expect and relate to their male-centric canon. I do prefer a band too re Rock music, but that’s preference.
My line going way back was that single-name-performing-artist *is* usually a band (often a pretty consistent one) and is usually more about marketing than approach. (And by contrast men leading "bands" in name only.)
Heck, even archetypal solo pop artists may be bandleaders of sorts, just most often a changing and/or electronic one (late-career Madonna the ur-example here, and Tom rightly likened her to James Brown in her highly conscious collaboration shifts)
Which also isn’t true, it’s just that the radio has already locked in the old stuff, and so the person who wants it most doesn’t get to hear the new version they’re looking for, and think it’s still just the old stuff.
Whereas other radio formats are adaptable and bring in the new stuff, nearly all Rock stations are now essentially Classic Rock.
Now, this is a legitimate issue. The nostalgia-heads don't give the newer stuff a serious chance, which means new rock has to exist in the more broad stations. Since pop, country and hip hop are more popular over there, new-rock doesn't get as much exposure or prevalence like classic-rock gets.
And that in turn creates incentives for young artists - let alone the labels that scout them - to go after these genres instead. Which often is more a matter of points of emphasis (and sometimes geography) than a sea change - arguably bro-country is the new Nickelback, for instance - but still...
To me the most interesting development is in the indie/pop space where women doing what is basically just pop-oriented indie rock use their name, not a band name. There are almost no windowpane artists who go by a band name (men or women) www.otherdavemoore.com/p/the-rise-o...
woops think I responded to the wrong thread, the perils of going semi-viral
Now your posts are semi-pop too 😉
the dream!
Waxahachie, Big Thief go by band names, even though their pretty much one woman wrecking crews.
This is one of the ways you can tell someone is making a play for old-school indie cred! And it's also not surprising to see the bands that make it in indie go solo soon after without breaking up the band. (This has always been somewhat true, but now it seems like solo act is the center of gravity.)
They're...
I imagine the people who sit around and say “they’re not making ______ music anymore” still listens to FM radio as their main source of entertainment. There are a fuckton of new musicians and bands out there to discover.
King Gizzard and the Lizard Wizard:
They’ve been saying that for decades and they’ve been wrong all along
Anyone who says "-insert genre- is dead" after the last couple decades of flourishing home recording and self distribution is just... not looking -every single genre- of music is more alive and diverse than it ever has been, and is more so every day
That's a big part of the problem though, making people aware of new music in such a flooded ecosystem feels practically impossible, without preexisting celebrity status for it.
I think the new landscape has ushered in a huge number of very concerning problems! But none of them have to do with what type of music is being made, it's a volume and attention and...I dunno, global/multicultural question
So far the most important thing I've written about this -- which is a topic I've banged on about much longer, too, and applies to more than music -- is the MONSTERVERSE, which is just the reality of globally competitive cumulative advantage www.otherdavemoore.com/p/the-rise-o...
All it takes is finding one artist and seeing who they associate with, or if they work with a promoter Social media changed the promo landscape just like streaming changed "TV", and there's always been an element of searching when you get into music beyond the household names
tbh i think anyone who really wants what's new and being made with genuine heart should be willing to click around and try some unknowns, especially since your average musician is being fucked by the industry in some way or another Consuming art means supporting art, not waiting for it to be given
I don't have trouble discovering rewarding music per se, because I tend to find almost anything I put on has some interesting aspect to it. It's just that applying discernment to the expanse to know what's worth seeking out is a perverse mission for the non-psychics among us.
I do work really hard on archiving, promo, exploring things for my own knowledge. Tends to be older stuff since gig-going in Bristol isn't fun anymore (venue closures, few friends in the scene by now, fitting it around working late nights). Older stuff gives us a more established "why" to look into.
60s-70s prog and folk that's borderline lost media is a small obsession and cursed me to digging through every single bin of vinyl i ever see lol
I mean i do have some bias as someone who's dredged the internet since I was a kid and got friendly with some small labels I kinda think youtube (not the music app) is still the best for discovering randoms tbh Find an uploader or live channel like GemsOnVHS and you'll find tons
My favourite YouTube rabbit hole is all the full-length-upload Memphis rap mixtapes, from when they were literally distributed on tape by the artist 😁
(The above is a studio recording, but the artist is most famous for those earlier mixtape appearances. Things we probably wouldn't get to hear if we aren't local or collecting the genre, if not for YouTube.)
oh hey i also have a favorite old rap tape lol youtu.be/Sq4V_kl8piY?...
Much appreciated 🌻
lol there are all sorts of people making great and innovative rock music
People who believe that make me mad. I have a cure for their ignorance-> youtu.be/b_8U93SvVyY?...
I've got one that's not from 18 years ago, even. www.youtube.com/watch?v=EtHB...
I dig it 🤟 Did you just call me Old 🤣
Pretty sure I qualify as well in that case.
it's cool we're all old lol
🤣👍