Le Guin’s parable of Omelas presents a critique of the false binary of the utilitarian sacrifice (utopia or a child’s suffering). Sapkowski subverts the chosen one narrative wholesale, critiquing authoritarian uses of utilitarian rhetoric.
Le Guin’s parable of Omelas presents a critique of the false binary of the utilitarian sacrifice (utopia or a child’s suffering). Sapkowski subverts the chosen one narrative wholesale, critiquing authoritarian uses of utilitarian rhetoric.
Sapkowski digs into the trauma of being ‘chosen’ when you are a woman. Women are often ‘chosen’ for motherhood, their bodies transformed into a battleground for others’ ambitions. Ciri bridges these critiques as she is both the chosen one and the potential sacrifice.
In Omelas, the suffering child has no choice, but stories about chosen ones – who have no choice but to choose – revolve around the burden of Power. This positions Ciri’s ethical struggles as a twisted mirror of Geralt’s.
Geralt, who doesn’t have the power to change the system but will do all to fight for his loved ones, can walk away form Omelas. Ciri, the idealist, poses a counterpoint, as Ciri is both the suffering child and the potential ‘walker’ simultaneously.
Ciri is also someone with the power to bring change. Thus, Ciri faces a triple-layered moral choice. Find out the rest in the article I wrote about Ciri’s Omelas Dilemma in #TheWitcher4 : www.blathancaerme.com/the-ciri-pap...