Thanks! I shoot more cubic than tabular, but am personally a fan of TMX and TMZ. TMZ, in particular. The tonality you mention is one reason; it also has great acutance. The results look like a slower film in Rodinal, but I can shoot at EI 3200....
Thanks! I shoot more cubic than tabular, but am personally a fan of TMX and TMZ. TMZ, in particular. The tonality you mention is one reason; it also has great acutance. The results look like a slower film in Rodinal, but I can shoot at EI 3200....
I had way too many problems with blocked shadows and strange midtones with Tmx 100.
Interesting. I haven't run into that. May be an issue of dialing in one's settings.
Maybe, but I don’t have that many underexposures with TriX. I do street photography with 35 mm film & rarely have time to fine tune. Also, the “mushy” grain & that anti-halation dye —even when one thinks it’s washed out—leaves blotches. So, I use TMX for controlled scenes only.
Tri-X is definitely more forgiving - TMX gets thin very quickly if underexposed. TMZ is less vulnerable to that, which is one reason that I find it more useful than the other T-Max films (though I do love TMX when it works). On a daily basis, I mostly shoot Kentmere or Aviphot - cheap and robust.